Rose Salane Biography Selected press
List Projects: Rose Salane at MIT List Visual Arts Center, Cambridge, MA, USA - View Press Release
Range 1
2019, Selections from the former Port Authority of New York and New Jersey library inventory, engraved library shelving unit
List Projects: Rose Salane
2019, Installation view, MIT List Visual Arts Center, Cambridge, MA, USA
PANY/NJ Inventory
2019, Coil bound inkjet on paper
Without Backdoors
2019, 8086 Microprocessor Chip, 256-Bit Erase-able Programmable Read-Only Memory (EPROM) Chip, phone keypad, inkjet on newsprint, silkscreen on matte
List Projects: Rose Salane
2019, Installation view, MIT List Visual Arts Center, Cambridge, MA, USA
Hands of '63, '64, '65, '68
2019, Signatures of Julian Bond, Emanuel Celler, Richard Viguerie, and Barry Goldwater; inkjet on newsprint, silkscreen on matte
List Projects: Rose Salane
2019, Installation view, MIT List Visual Arts Center, Cambridge, MA, USA
Figure 3, Figure 4
2019, Tylenol pills in tin case, Anacin tin case, silkscreen on newsprint, silkscreen on matte
List Projects: Rose Salane
2019, Installation view, MIT List Visual Arts Center, Cambridge, MA, USA
Range 1 (detail)
2019, Selections from the former Port Authority of New York and New Jersey library inventory, engraved library shelving unit
Indigo237 at Condo New York - View Press Release
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
Table 22
2018, Polymer plaster, silver, ground pepper, enamel
3.8 x 116.8 x 111.8 cm
Table 22 (detail)
2018, Polymer plaster, silver, ground pepper, enamel
3.8 x 116.8 x 111.8 cm
Just Say No
2018, inkjet on newsprint, Nancy Reagan anti- drug campaign pin
41.5 x 55 x 2.5 cm
The Failure to Address
2018, inkjet on newsprint, Windows on the World postcard
41.5 x 55 x 2.5 cm
Table 24
2018, Polymer plaster, Windows on the World playing cards
5.1 x 101.6 x 89 cm
Table 24 (detail)
2018, Polymer plaster, Windows on the World playing cards
5.1 x 101.6 x 89 cm
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
The Worker's Uniform
2018, inkjet on newsprint, business card from Windows on the World
55 x 41.5 x 2.5 cm
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
WOW 93
2018, inkjet on newsprint, playing cards from Windows on the World
55 x 41.5 x 2.5 cm
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
How to Cut a Cigar
2018, inkjet on newsprint, silver cigar cutter from Windows on the World
41.5 x 55 x 2.5 cm
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
Indigo 237, Condo New York
2018, Installation view, Company hosting Carlos/Ishikawa
All These Events Are True, But None of Them Happened
2018, Installation view, Carlos/Ishikawa, London
Media Is A Plural Word
2018, Inkjet on newsprint, McDonald's Happy Meal toys, MDF board
Framed print: 41.5 x 55 x 2.5 cm
Shelf, neopete packets: 12 x 100 x 20 cm
Media Is A Plural Word (detail)
2018, Inkjet on newsprint, McDonald's Happy Meal toys, MDF board
Framed print: 41.5 x 55 x 2.5 cm
Shelf, neopete packets: 12 x 100 x 20 cm
Media Is A Plural Word (detail)
2018, Inkjet on newsprint, McDonald's Happy Meal toys, MDF board
Framed print: 41.5 x 55 x 2.5 cm
Shelf, neopete packets: 12 x 100 x 20 cm
6
2018, Polymer-based plaster, acrylic paint, 9 x 64 x 57 cm
j
2018, Polymer-based plaster, acrylic paint, 9 x 84 x 41 cm
Let Us Not Forget The Scene
2018, Inkjet on newsprint
55 x 41.5 x 2.5 cm
The Portal
2018, Glass paneled cabinet, New York Times newspaper
96.5 x 150.5 x 50.5 cm
The Portal (detail)
2018, Glass paneled cabinet, New York Times newspaper
96.5 x 150.5 x 50.5 cm
All These Events Are True, But None of Them Happened
2018, Installation view, Carlos/Ishikawa, London
MT in The Oval Office (detail)
2018, Plywood, baseball signed 'Margaret Thatcher', acrylic paint
252.5 x 235 x 100 cm
When The World Seemed New (detail)
2018, Inkjet on newsprint
55 x 41.5 x 2.5 cm
1
2018, Polymer-based plaster, acrylic paint
9 x 82 x 36 cm
McDonald's Bench
2018, Plastic, wood, metal bench, polymer-based plaster, acrylic paint
117 x 63 x 109 cm
Musician and Two Magicians (detail)
2018, Inkjet on newsprint
41.5 x 55 x 2.5 cm
For Now A Complex Remains
2018, Inkjet on newsprint, matches from the World Trade Center
Framed print: 41.5 x 55 x 2.5 cm
Matchbox: 2.5 x 5.5 x 0.7 cm
For Now A Complex Remains (detail)
2018, Inkjet on newsprint, matches from the World Trade Center
Framed print: 41.5 x 55 x 2.5 cm
Matchbox: 2.5 x 5.5 x 0.7 cm
For Now A Complex Remains (detail)
2018, Inkjet on newsprint, matches from the World Trade Center
Framed print: 41.5 x 55 x 2.5 cm
Matchbox: 2.5 x 5.5 x 0.7 cm
High From The Other Side
2015, Installation view, Jeffrey Stark, NY
Long Conversation
2015, Wood, plaster, cloth
Girl Sitting On The Edge of Her Private School
2015, Wood, cast plaster, acrylic paint, leather, wire
Mrs. Berry's Chair
2015, Chair, leather, plaster
93
2015, Cast plaster
High From The Other Side
2015, Inkjet on newsprint
High From The Other Side
2015, Surveillance view, Jeffrey Stark, NY
I Need One Liner!
2015, Installation view, Paul Kasmin, NY
I Need One Liner! (detail)
2015, Inkjet on newsprint
Biography

Rose Salane (b. 1992, USA)
Lives and works in New York

Bernard & Anne Spitzer School of Architecture at City College of New York, CUNY
Masters of Urban Planning 2019


Cooper Union for the Advancement of Science and Art
Bachelor of Fine Arts 2014


Solo Exhibitions and Projects

2019
List Projects: Rose Salane, MIT List Visual Arts Center, Cambridge, Massachusetts

2018
Indigo237, Condo New York, Company hosting Carlos/Ishikawa, New York
All These Events Are True, But None of Them Happened, Carlos/Ishikawa, London

2015
High From the Other Side, Jeffrey Stark, NY
Who Isn't Seeing Someone?, Four A.M., NY

2014
The Stairwell, Cooper Union, NY

The Collection, Cooper Union, NY


Selected Group Exhibitions

2018
The Hard Facts on Tragedy in April, Lomex, New York

2017
The Skies and the Atmosphere's Most Luscious, Allen and Eldridge at James Fuentes Gallery, New York

2016
Trust Issues (curated by Ryan Steadman), Ronchini Gallery, London
Spring Awakening, Francesca Pia, Zurich
No Hope, No Fear (curated by Daniel Peterson), Swiss Institute, Rome

2015
The Written Trace (curated by Ariella Wolens), Paul Kasmin Gallery, NY


Artist Talks

2018
On Timing / On Search / On eBay / On Value / On Icons / On Autographs / On Authenticity, Zurich University of the Arts ZHdK; Zurich